war films

German outlet Der Spiegel has released 'Inside Russia (2)', a SPIEGEL TV documentary presenting exclusive reporting on life under Vladimir Putin's increasingly isolated dictatorship. The film offers viewers rare insights into how ordinary Russians and the political leadership are coping amid the country's international isolation and the ongoing war in Ukraine. It is drawing heavy attention internationally, with hundreds of thousands of viewers engaging with the documentary within days of release.

Director Jon Watts, known for Marvel's Spider-Man trilogy, is reportedly in line to direct the next Star Wars film for Lucasfilm. No official confirmation or plot details have been announced yet, but the report has sparked discussion among fans about what a Watts-helmed Star Wars project could look like and how the franchise's film slate will move forward.

A documentary about an American doctor's experience in Gaza is drawing audiences in cinemas, an uncommon commercial success for a film on this subject. Posts highlighting the run tag it with Palestine, ceasefire and FreePalestine hashtags, framing the box-office turnout as a sign of continuing public interest in the war and in first-hand accounts from medical workers there.

The documentary NAZA, which examines alleged Israeli war crimes, will be made available to stream for free in November, according to filmmaker Yuval Abraham. The free release is intended to widen access to the film, which documents the impact of the war in Gaza on Palestinians and the conduct of Israeli forces there.

Following the closure of Tippett Studios, the visual effects house founded by animation legend Phil Tippett, a digital archive of the studio's animated materials has appeared online. The collection preserves work from a studio known for stop-motion and effects on films like Star Wars and Jurassic Park, drawing interest from fans and industry professionals.

A World War Two historian is reviewing popular war films, weighing how their battle scenes, uniforms, tactics and technology compare with the historical record. Audiences are engaging heavily with the format, which mixes entertainment with accessible history education.

Disney has struck a licensing deal handing a batch of titles, including the 'Ice Age' films and 'Percy Jackson', to Netflix. The move adds Disney-owned programming to a rival streaming service and is drawing attention as a sign of shifting strategies in the streaming wars, with studios increasingly open to licensing content out rather than keeping it exclusive to their own platforms.

The director of 'Ba's Book' has revealed how making the documentary led her to uncover long-hidden secrets about her father's life, including his experiences during the Vietnam War and her family's upbringing in revolutionary Iran. The film blends personal investigation with political history, and is drawing attention following coverage by The Hollywood Reporter.

Combat footage has emerged showing Ukrainian special forces storming Russian trenches on the eastern front, filmed from helmet-mounted cameras. The clips capture close-quarters fighting as Ukrainian troops clear defensive positions amid the ongoing war. The footage is drawing wide attention as a rare, raw look at the intensity of trench warfare in eastern Ukraine.

Michael Douglas has revealed that he and Kathleen Turner, his longtime co-star from films like 'Romancing the Stone' and 'The War of the Roses', were once secret lovers, according to an exclusive interview with People. The admission has surprised fans who knew them primarily as iconic on-screen partners, sparking widespread discussion about their decades-long working relationship.

Gizmodo reports that major Star Wars news broke over the weekend, prompting discussion among fans of the franchise. The outlet frames the development as significant enough to warrant a closer look at what it means for the sci-fi film series. Details of the announcement and reactions are the focus of the conversation.

Commentary argues that Star Wars' creative energy has shifted from cinema to video games, with recent game releases outpacing the film franchise in critical and fan reception. The piece reflects a broader conversation about Disney's slow theatrical output and the growing prominence of titles like Star Wars Outlaws and Jedi series in keeping the brand culturally relevant.

Reports say a new Skywalker trilogy is being positioned as the future of the Star Wars franchise. Beyond the headline claim, no details have emerged about the films' story, cast, writers, or release dates. Fans are debating what a return to the Skywalker saga would mean for the direction of the series after the nine-film main storyline concluded.

A decade after its 2015 release, the Marvel film widely identified as Ant-Man is being revisited for the role it played in steering the MCU toward Phase 3, bridging the end of Phase 2 and the road to Captain America: Civil War and the Avengers' Infinity War saga. Retrospective pieces are weighing its modest scale against its lasting impact on the franchise.

The Lucas Museum of Narrative Art, founded by Star Wars creator George Lucas, is drawing attention for exhibiting a Pikachu painting with the same curatorial seriousness usually reserved for old masters like Rembrandt. The choice highlights the museum's mission to elevate popular and commercial art, including illustration, film design and pop culture imagery, to the status of fine art.

Filmmaker Suzannah Mirghani discusses her film Cotton Queen and the state of Sudanese cinema, arguing that film plays a vital role in preserving collective memory amid the country's ongoing conflict. She reflects on Sudan's cinematic heritage and the importance of keeping it alive for future generations.

Night Wars, a low-budget horror film released on March 1, 1988, follows two Vietnam veterans whose nightmares about the war become so realistic that they sustain real injuries and bring physical objects back from their dreams. The pair eventually arm themselves and enter the dream world to confront what is haunting them, blending war trauma with supernatural horror.

The 1970 science fiction film 'Colossus: The Forbin Project' is drawing renewed attention for its depiction of a supercomputer that seizes control of nuclear weapons and forces humanity into submission. Commentators are revisiting the film as an eerily prescient warning about artificial intelligence, arguing it anticipated current debates over AI safety, machine autonomy and the risks of handing strategic power to automated systems.