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    David Cameron: a career seemingly proving Enoch Powell right●David Cameron: The Prime Minister Who Kept Proving Enoch Powell Right Enoch Powell famously observed that “all politicalMmastodonWorldElections34 h ago

    A new commentary on David Cameron argues that Enoch Powell's famous line that "all political careers end in failure" applies squarely to the former Prime Minister. The piece frames Cameron's time in Downing Street and his later returns to government as a series of misjudgements, sparking debate about his legacy, from austerity and the Brexit referendum to his recent stints as Foreign Secretary.

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    Downtown Renton to Host Trick-or-Treating and Halloween Party▼Downtown Trick-or-Treating and Halloween Party at Legacy Square✉newsCultureEntertainment1 d ago

    The City of Renton, Washington, has announced a downtown trick-or-treating event followed by a Halloween party at Legacy Square. The announcement invites families to celebrate Halloween in the city centre, with local businesses expected to take part in handing out treats. Details about the event are being shared through the city's official channels.

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    Gene Autry, Texas-Born Singing Cowboy, Remembered 119 Years After Birth▼Born 119 Years Ago in Texas, the Singing Cowboy and Movie Star Who Was the First To Sell Out Madison Square Garden✉newsCultureFilm4 d ago

    American Songwriter marked the 119th birthday of Gene Autry, the singing cowboy born in Texas who became one of Hollywood's biggest Western stars and the first performer to sell out Madison Square Garden. Autry, who rose to fame in the 1930s with songs like 'Back in the Saddle Again' and later owned the California Angels, remains a touchstone of country and film history.

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    Native American artists confront New York's erased indigenous past▼How do you cope when your sacred land becomes Times Square? The art of the first Native New Yorkers✉newsCultureArt3 d ago

    The Guardian examines the work of Native American artists grappling with Manhattan's history as indigenous homeland, asking how the first New Yorkers' descendants cope with sacred land now covered by Times Square and the city's concrete sprawl. The piece highlights art that confronts the displacement of the Lenape people and reclaims their presence in a metropolis that rarely acknowledges its origins, prompting wider reflection on colonial legacy and memory in public space.